1. I chose Luigi Russolo's article entitled "The Art of Noises" because it seemed like a very unique and in-depth writing on how noise and sounds have graduated through time into what we now call music. Russolo also had in my opinion, a very interesting title to his article which also helped attract me to it.
2. First Russolo talks about how noises have been appreciated since the beginning of time. He talks about how with the invention of the machine in the nineteenth century noise was created. He explains that primitive races at the beginning of time considered noises to be in the same realm as the Gods. Sound was considered sacred and attributed with the highest of holy men long ago. Russolo goes on to talk about The Middle Ages and how music became more real, with the development of the Greek tetrachordal system. I noticed that Russolo really talked about machines and how they have been the main contirbution to sound, for instance he says "the musical evolution is paralleled by the multiplication of machines,..." Overall I found this to be one of the most interesting articles I have ever read in relation to the idea of sound, noise and the overall tone of music.
3. I personally feel that Russolo hit many points in relation to sound and how I use it in my practice as a media artist. For instance his point about machines was by far the most spot on point that he made. Without machines (cars, boats, planes, weed-whackers etc.) We would not be able to collect any urban noises on our sound walks. I found many of his points to be in direct correlation with what I do as a media artist.
-Connor Murray
Sunday, September 28, 2008
Wednesday, September 24, 2008
Soundwalk
Soundwalk response Q & A:
2. I heard the sounds of basketballs constantly pounding against asphalt in the distance.
3. I heard traffic in the distance and the car tires made a thumping noise as they went over the streets.
4. I could faintly hear music from someone's dorm room in the distance and it sounded like an acoustic guitar.
5. To my left, in the distance I could hear the piercing sound of what sounded like a weed-whacker.
6. Further in the woods I could hear the mumble of birds softly chirping and echoing in the woods.
7. In my more immediate space I could hear certain insects buzzing and what sounded like crickets.
8. I heard a bee buzz right by my left ear, and it was a very annoying and deep sound.
9. Lastly, I heard a dragonfly or some type of large winged insect hum about a foot away from me for a long period of time.
- Were you able to find places and spaces where you could really listen?
- Was it possible to move without making a sound?
- What happened when you plugged your ears, and then unplugged them?
- In your sound log exercise, what types of sounds were you able to hear? List them.
2. I heard the sounds of basketballs constantly pounding against asphalt in the distance.
3. I heard traffic in the distance and the car tires made a thumping noise as they went over the streets.
4. I could faintly hear music from someone's dorm room in the distance and it sounded like an acoustic guitar.
5. To my left, in the distance I could hear the piercing sound of what sounded like a weed-whacker.
6. Further in the woods I could hear the mumble of birds softly chirping and echoing in the woods.
7. In my more immediate space I could hear certain insects buzzing and what sounded like crickets.
8. I heard a bee buzz right by my left ear, and it was a very annoying and deep sound.
9. Lastly, I heard a dragonfly or some type of large winged insect hum about a foot away from me for a long period of time.
- Were you able to differentiate between sounds that had a recognizable source and those sounds you could not place?
- Human sounds? Mechanical sounds? Natural sounds?
- Were you able to detect subtleties in the everpresent drone?
- Extremely close sounds? Sounds coming from very far away?
- What kinds of wind effects were you able to detect (for example, the leaves of trees don't make sounds until they are activated by the wind)?
- Were you able to intervene in the urban landscape and create your own sounds by knocking on a resonant piece of metal, activating wind chimes, etc.?
- Do you feel you have a new understanding or appreciation of the sounds of our contemporary landscape/cityscape?
- How do you think your soundwalk experience will affect your practice as a media artist, if at all?
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